Category Archives: guest post

Deeply Unpopular & Flawed

This arrived in my emails, and as the sender said they don’t have a web presence, thought it needed to be somewhere. As they predicted the government is indeed trying to bring in the Cashless Debit Card, because it’s not enough to be poor, you have to be poor AND miserable “four of every five participants report none of the positive changes the cashless card is meant to encourage.” From here on, not my words…

Big Brother Welfare Threat to 2.3 Million Australians in 2017 Federal Budget

The Federal government appears likely to extend an income support model known as the Cashless Debit Card to new areas and new recipients despite very high administrative costs, and little valid evidence that it works.  Despite a negative thorough evaluation of the 10 years of trialling Income Management in the NT and elsewhere, and initial questionable trials of the Cashless Debit Card, the Social Security Minister continues to signal his intentions to expand the program. Expenditure of $18.9M for this trial of 1850 recipients in SA and WA indicate the costs are high for questionable outcomes.

A network of community organisations, activists and academics is warning of a seismic change in the way income support payments may be administered following the 2017 Federal Budget and ask why , in a time when cuts are imposed to save money, this type of costly change is being promoted

After trialling the cashless debit card in Ceduna and the East Kimberley over the past 12 months there are signs that Commonwealth Government is considering extending this social experiment across other communities, perhaps implementing it as a nationwide program. The cashless debit card forces those receiving income support payments to have 80% of their payments quarantined to a card that cannot be used to purchase alcohol or gambling or to withdraw cash.

The Accountable Income Management Network (AIMN) has been monitoring the implementation of various compulsory income management measures across Australia over the past 3 years.  Network spokesperson (Mr Simon Schrapel) said “Evidence gathered through the government’s own research shows that over half of the cashless debit card trial participants said it had made their lives worse.  The government seems to be ignoring this alarming feedback, and is intent on extending the card’s application”.

The Network has been examining the impacts of the card on those in the trial sites together with the research reports commissioned by the government.  Mr Schrapel said “despite significant government promotion and investment, this social experiment suffers from a number of significant flaws including:

  • Removal or reduction of basic legal and consumer rights of participants.
  • Throwing into disarray existing financial services arrangements, for example loan repayments.
  • Polarisation of community views, with participants subject to criticism and in some cases personal ridicule for expressing their views and experiences.
  • At a cost of $10,000 to administer per participant the cashless debit card has proven to be one of the most expensive and inefficient experiments at a time the government is calling on greater financial restraint.
  • Most damning of all, four of every five participants report none of the positive changes the cashless card is meant to encourage.

It defies logic that government is now considering imposing this compulsory financial management system on more Australians.”

The Network warns that all Australians should be deeply concerned by this development.  Up to 2.3 million people are at risk of losing the right to spend their income in the way that they choose – a basic human right we have traditionally taken for granted in our nation.

The government must come clean with its intentions and justify why it would consider the further roll out of a system to control peoples’ use and management of their own money.  The system has proven to be deeply unpopular with those who have been subjected to the experiment to date.

For comment, contact:

Mr Simon Schrapel AM

 Dr Shelley Bielefeld  

Eva Cox 


I redacted their contact details – if you’d like them, just say.


Five Ways I Messed Up My Business Launch

I’ve done a guest blog over at MYOB – Mind Your Own Business – about the business side of my self-publishing launch.

Five Ways I Messed Up My Business Launch

Well, the five top ones, anyway. I made every mistake in the book – and i know better! (More at MYOB)

If the link doesn’t work for you

cut and paste the line above


Art for Art’s Sake…

A guest post! With a competition! From Christopher L. Jorgensen – @JackassLetters on Twitter.

Jackass Letters

If you haven’t seen his Jackass Letters site, it’s full of great letters he’s written and received. Most are incredibly funny, all are unpredictable – this one is a little different.

Correspondence is between Christopher and the Seattle Art Museum – who are indeed some of the coolest people around.


Christopher L. Jorgensen
P.O. Box 93042
Des Moines, IA 50393

February 1, 2009

Dear Seattle Art Museum,

I want to thank you for lending your Edward Hopper painting “Chop Suey” to the Des Moines Art Center. My girlfriend adores Hopper, so it was quite a treat to get to see another of his works!

We made a $5 donation while were were there, so I figured I’d go ahead and send you $5 as well (for being so cool).

Seeing “Chop Suey” was enough to make me wish I’d made better choices in life and had become an art thief. I’d sneak in, and in a daring daylight art heist, the painting would be mine! (I’d also take “Automat,” which is my girlfriend’s favorite, and “Study After Velasquez’s Portrait of Pope Innocent X” by Francis Bacon, which is my favorite.)

I’m sure security isn’t as lax there as it looks though, so I’d probably end up in jail if I tried it, so I assure you I won’t! If, by some cosmic chance these paintings do come up missing, don’t look at me! How dumb would I have to be to write a letter like this and then do something like that? I just like to dream. Though you do have to admit the Hoppers would look great in my girlfriend’s living room.

All the best,

Christopher L. Jorgensen


Reply from SAM

Seattle Asian Art Museum
Seattle Art Museum
Olympic Sculpture Park

February 11, 2010

Dear Mr. Jorgensen:

Our membership office shared with me your lovely letter, and I felt I had to write with my personal thank you to you for your enthusiasm.  When we share works of art with other institutions, and they travel other cities, we assume they are reaching an audience, but we never get the kind of response that you have sent.  It is gratifying and touching.

So, it is I who thank you, with the enclosed copy of the Hopper catalogue.  Maybe you already have one, and, if so, then feel free to give this to another Hopper enthusiast.  And, by the way, I understand perfectly your coveting these paintings. I do what I do so that I can vicariously “own” such works myself.

I will be speaking about Hopper in Des Moines very soon—Thursday evening, March 4. Perhaps I will meet you then.  Meanwhile, thank you, once again, for your letter.



Patricia Junker

Ann M. Barwick Curator of American Art

1300 First Avenue
Seattle, WA 98101-2003
P 206.625.8900
F 206.654.3135


Patricia Junker is correct and Christopher already has a copy of the Edward Hopper catalogue. So he’s agreed to give this away.
Hopper Catalogue

This contest is easy. Just go to the post, “The Secret to Fewer Followers,”  a guest post by Christopher on Leave a comment by March 4th 2010 (Des Moines time), saying whether you agree with that post, for a chance to win.

Christopher says this contest is open to residents of Australia, the United States, and all English speaking regions of Canada. Good luck!

(I’m anticipating a revolt led by New Zealand and the Quebecois. )

If you’re in Des Moines on March 4th 2010  – why not get along to the talk on Hopper.
There was a day delay in announcing the winner of the Hopper catalog. Mostly because I was really hoping to get it signed by the author and I did! The winner is Ms Fifikins (@fifikins). She’s already sent me her address so book will go out Monday!

After being invited by Patricia Junker (the target of my letter) to attend her lecture, “Tables for Ladies: Edward Hopper and the Modern Woman,” I figured how could I not? You had to RSVP to get free tickets and were supposed to have to show ID at the door. My conspiracy filled brain figured this was an elaborate way to have me detained for questioning, but the girlfriend/editor/typist and I passed through without incident or identification.

The lecture was pretty much what you would expect. A smart woman talking about art. Pretty neat to see how things operate behind the scenes at a museum. Also cool to get some history on the artist and his time.

Afterwards, as I was getting the catalog signed, I said, “Some nice lady sent me this.” Patricia immediately said, “You’re the man who sent the letter!” She seemed genuinely excited. We asked if she’d figured out the spoof before replying. She hadn’t. We asked where the letter ended up (I always wonder). The letter made it into her “Hopper file,” and a copy went on to Barney A. Ebsworth, who I figured worked for the FBI, but am told is a trustee and the man who donated the Hopper painting “Chop Suey” (the painting on the cover of the catalog). Patricia also informed me, “You’re famous at the Seattle Art Museum,” which I think is pretty cool as I am guessing the competition is pretty stiff! I mean it’s not like the SAM is some second rate institution like the MOMA!

Anyway, Patricia was a good sport and I feel like we genuinely made her day! Oh, by the way, she’d found our letters on this site while googling her own event. She still doesn’t know what my site is. At least I don’t think she does. It was a bit surreal to be attending an event all because someone decided to respond to my little missive.

Next time we’re in Seattle I’m going to look up Patricia and this Barney guy. It would be great to do lunch or get a private museum tour. I’m always looking for someone to pick up the tab.

 © this post belongs to Christopher L. Jorgensen